Monday, June 29, 2009

The Media War in Honduras


The audio is taken from yesterday's Telesur transmission. The stills are moments from Telesur's coverage.
From Entertainment Daily:
TEGUCIGALPA, Honduras — Honduran troops detained seven international journalists covering the aftermath of a military coup Monday, freeing them unhurt a short time later. The government also took at least two television stations off the air and interrupted the broadcasts of others.

From a Honduran blog:
Desde que se ejecutó el golpe de Estado, el gobierno de facto ha cerrado canales de televisión, emisoras de radio, ha perseguido periodistas y bloqueado las conexiones por internet. Sólo teleSUR ha transmitido como cadena internacional minuto a minuto los hechos que rodean este golpe de Estado, ahora amenazan con detener al equipo de teleSUR.
This still image is from Telesur, the program service from Venezuela. It shows the contrast between what is playing on a Honduran private television channel (telenovelas) and what is happening outside the presidential palace (reality). Channels with news have been shut down in Honduras, even CNN.

New Hope for Community TV in Canada

By Carlito Pablo
A report tabled in Parliament by the Standing Committee on Canadian Heritage has given some measure of hope to advocates of independent community television.

After more than a decade, community television producers again may be able to access public funds for programming purposes.

Richard Ward, a director of the Community Media Education Society, pointed out that the number one recommendation in the report entitled Issues and Challenges Related to Local Television is the inclusion of community television among groups that can access “any programs designed to assist local broadcasting” for both private and public broadcasters.

The report, which was submitted to the House of Commons on June 19, also called for an increase in the contributions of broadcasting and cable companies into the Local Programming Improvement Fund from the current rate of one percent to 2.5 percent of their broadcasting distribution revenues.

The committee proposed that of this 2.5 percent, a full percent will be dedicated to CBC/Radio-Canada, and the remaining 1.5 percent for “broadcasters in small- and medium-size markets, consistent with recommendation 1”. Link to complete article--

http://www.straight.com/article-236385/report-provides-hope-canadian-independent-community-tv

Thursday, June 25, 2009

The Small Magazine that Testified


TRUTH AND RECONCILIATION COMMISSION : YOUTH HEARINGS
SUBMISSIONS - QUESTIONS AND ANSWERS
DATE: 22 MAY 1997 NAME: BRIAN CLAASSEN and WEAAM WILLIAMS
CASE: MOLO SONGOLOLO - ATHLONE
DAY 3

CHAIRPERSON: Can I ask the audience please to take up their seats as quickly as possible so that we can proceed. Brian and Weaam, welcome here today. Thank you very much for being here to make this submission which will help us understand the effects of apartheid on the children of South Africa. I am now going to hand over to you and allow you to present your submission.

MR CLAASSEN: Hi, my name is Brian Claassen. I am representing Molo Songololo. First I would like to tell you a bit about myself. I am living in Mitchells Plain on the Cape Flats and I was fortunate enough to attend one of the few schools, special schools, for children with cerebral palsy and it is through my association with the school that I became with Molo at the age of 15 and I am here to represent the children. It is in keeping with one of the aims and objectives of Molo Songololo of creating a space for children to speak for themselves that we, me and Weaam, have volunteered our services to research, write up and present this submission.

MS WILLIAMS: My name is Weaam Williams. I was first exposed to Molo Songololo when I was about nine years old. The magazine significantly contributed to my development as a child. It made me realise my rights as a child and the equality of all children. I am proud to be here today representing Molo Songololo. Most of the Truth Commission's hearings, thus far, has focused on individual cases. As a children's organisation, Molo Songololo feels obliged to make a representation on behalf of the majority of South Africa's children.

The main focus of the Truth Commission up until now has been the overt killing, torture and severe ill-treatment of people either to uphold or breakdown the system of apartheid. We pay tribute to all children suffering in this regard. However, the violation of children's human rights extends beyond physical forms of violence.

During the apartheid era the racial discrimination in itself was an institution dehumanising to the majority of South Africans, especially children. Our submission therefore focuses on the severe ill-treatment of children through the racially discriminative infrastructure of the past regime causing severe mental and emotional trauma resulting in social ills.

One of the issues that we are going to be looking at is land. Over 3,5 million people were forcibly removed. The 1913 Land Act led to the formation of african reserve areas called Bantustans. To give credence to the divide and rule idealogy, the Act allowed for indians and coloureds to own land while blacks were denied land ownership. The 1966 Group Areas Act forcibly removed people from their place of birth such as District Six, Elsies River, Claremont, etc. Many were removed from aesthetically superior areas and placed in water-logged and desolate areas such as the Cape Flats. This posed as a great health hazard to many children and exposed them to harsh living conditions. It also determined the inferior quality of life of many families. Since the mid-70's one of the most commonly used legal mechanisms has been the Prevention of Illegal Squatting Act. It granted powers to local authorities and landlords to demolish buildings and unilaterally evict residents without recourse to the courts.

The effects that this had on children are the creation of squatter areas with no running water and poor sanitation facilities. This exposed children to harsh living conditions and accompanying health risks; a lace of recreational facilities, once again contributing to a loss of childhood; the forced removals led to a breakdown in family structures causing many children to seek acceptance in gangs and using drugs as mechanisms of escape; the poverty stricken conditions of townships caused many children to end up on the streets, living aimless lives and bearing the brunt of society's degradation; the poorly designed townships impaired children's sense of aesthetics; it also stripped children of their heritage, citizenship and a sense of belonging, causing confusion to their norms and values.

Our recommendations are as follows: Effective allocation of land and resources to benefit all children, the continuous upgrading and development of a safe township environment; the creation of safe recreational and sports facilities; the provision of proper and adequate sewerage and sanitation facilities.

MR CLAASSEN: The following area that I will be looking at is health. The World Health Organisation defines health as and I quote, "A state of complete physical, mental and social wellbeing, not merely the absence of disease or infirmity". Good health is intrinsic to good living conditions. Poverty renders the majority of children to live in conditions that are not conducive to good health. When living standards drop infant mortality rises and malnutrition grows. The poverty stricken conditions which blacks live under renders them more susceptible to common childhood infections such as diarrhoea, tuberculosis and measles. During the past era these diseases accounted for 85,3% of all deaths related to infectious diseased.

The majority of infant of child deaths during the apartheid rule were as a result of the racial fragmentation of health services. For example, according to research for the period 1976 to 1984, the discrepancy between the per capita health expenditure per race per child in American dollars is as follows. A white child in that period received $201,00, an indian child $109,00, a coloured child $111,00, a black child $51,00. The extreme social dislocation produced by apartheid led to the collapse of family and community cohesiveness and provided fertile ground for the spread of sexually transmitted diseases. An example of this would be congenital syphilis. It has been reported that congenital syphilis is a leading cause of perinatal mortality and that in Durban about 100 cases of congenital syphilis are seen yearly in one centre.

The effects it had on children. The lack of health services aimed at prevention rather than cure saw many children die prematurely. Children suffered from preventable diseases such as polio which resulted in disability. Malnutrition and substance abuse negatively affected their mental and physical development. Drug dependency became a part of children's lives causing mental and physical ill-health.

Our recommendations in this regard are that health should receive priority within the budget allocation; eradication of poverty should be one of the main focuses of primary health care as health cannot be achieved without the raising of living standards; health services should be made accessible and affordable to children up to the age of 18; more and adequate services should be put in place for victims of violence and abuse; a more concerted effort should be made to provide health services for street children and abandoned children. They are most vulnerable to diseases, infections and abuses; primary health care should be the main focus of health services.

MS WILLIAMS: The next area I am going to be looking at is education. Education is considered a basic human right and a necessity for productivity. Apartheid education fundamentally violated this right. The provision of education in South Africa followed a pattern of racial inequality that reinforced the political economy of the apartheid order. Further to create racial, class and ethnic inequalities. In relation to this it was a known fact that education was not compulsory for black children. The policy of education for blacks was to direct the majority of black children towards the unskilled labour market. Black pupils were not encouraged and nurtured in technical subjects such as mathematics and science. Little or no emphasis was placed on black teacher training to adequately teach these subjects. This system further deprived the majority of black children of tertiary education by introducing the quota system in white universities.

In 1992 Molo Songololo hosted an exchange programme and these are some of the comments of the children. Quote, "Ellerton's building is like a hospital. It differs from our school. There is a swimming pool, a park and an exercise hall. Their library is very large. They have everything our school does not have.". That is by Nigel from Morgenson Primary in Hanover Park. Quote, "my school is different from Government schools. We do not have a pool and the school is made of zinc and it is surrounded by squatter camps. The zinc on the roof is not completely done and we have very little space to study. Ellerton school is fully equipped and clean on the outside.". That is by Joyce from Siphika Community School in Nyanga East. Quote, "Stormande, a community school, is very poor and dirty. The school is overcrowded and the children stood outside to begin their assembly. The children obviously do not learn much due to the shortage of textbooks and the children do not seem to care. Education is important if you need a job and to be respected.". This is by Gizelle from Ellerton Primary in Sea Point.

The effects that apartheid education had on children. The statements made by the children mentioned previously clearly indicates inequalities within schools. The fact that white children are academically, athletically and artistically more developed than black children is due to the lack of sporting and art facilities, adequate or no libraries, etc in black schools. The use of indoctrination instilled the belief of white supremacy. Apartheid education also created language barriers which further alienated children from each other. Unemployment amongst black parents forced children to leave school and therefor lose out on education and job opportunities that goes along with it. The lack of special education facilities for children with disabilities reduced such children to burdens of society.

Our recommendations are as follows: The creation of adequate educational and recreational facilities in township and rural schools; to provide a meal at these schools as children cannot learn on an empty stomach; all teachers should be qualified and should treat children with patience, dignity and respect. All teachers should be evaluated and monitored to ensure that they are protecting the rights of the child; all children should have the right to participate in the evaluation and upgrading of curriculum that respects all the traditions, values and cultures of children in South Africa; the State should provide multi-cultural teacher training; more and improved centres should be set up for the special educational needs of children with disabilities and street children; all creches, pre-schools, schools and institutions dealing with children should commit themselves to upholding the values of the new Constitution and the South African Children's Rights Charter.

MR CLAASSEN: The next section I would like to deal with is the apartheid debt. Paying off apartheid's debt, which currently stands at some R311,0b, legitimates a system that grossly violated human rights. It is the second highest expenditure of the 1997/98 budget. This indicates that the Reconstruction and Development Programme suffers under the weight of interest payments on this debt. It further means that the majority of children who had suffered and fought against apartheid would continue to live in a state of poverty and it would ultimately render their sacrifices futile. It is our submission that, fundamentally, it is morally wrong for the present Government to be responsible for paying off this debt.

Our recommendations in this regard are the following: We strongly recommend that the debt be reversed and the money be spent on the reconstruction and development of the country; we further recommend that the Truth Commission investigate the financing of apartheid. Such an investigation would benefit the children in particular as this debt directly impacts on their future survival and development.

In conclusion we would like to say the following: The idealogy and infrastructure promoted by the apartheid regime had a detrimental effect on the well-being of children. Not only did it promote shattering prospects of racial and cultural inequalities, but also significantly strategised their alienation. The articulation and creativity are, sorry. The deeply psychological and emotional scars such as hatred, lack of self esteem, articulation and creativity are a direct consequence of a system that disempowered the majority of its people.

Molo Songololo foresees the formation of a Children's Council including children to pursue and explore ways in which to ensure children's survival, protection and development. Finally, it is our contention that you cannot speak about reconciliation to someone when he or she does not have a decent place to live or even a morsel of food to eat. Reconciliation is only in the vocabulary of those who can afford it. It is non-existent to a person whose self-respect has been stripped away and poverty is a festering wound that consumes his soul. Thank you very much.

MS BURTON: Weaam Williams and Brian Claassen, it is my pleasure to thank you and to commend you for the submission that you have made to us today. I remember well when Molo Songololo was started and many organisations have struggled to change their role, to bring their role up to date, in a way, in our new South Africa and it is very interesting to see how an organisation like this has moved beyond looking after the interests of children in a situation of resistance, to looking at our present day society. So, you can certainly, both of you, as you say, be proud to be associated with it.

Your submission to us is very well researched and we really appreciate and value that and you have made clear and detailed recommendations to us and we will take note of those and thank you very much for them. Thank you.

------------------------------

Wednesday, June 24, 2009

Criminalization of Free Speech in Mexico

Continúa criminalización en contra del derecho a la libertad de expresión

• Posible cárcel en contra de mujer indígena purépecha de la radio comunitaria Uekakua en Ocumicho, Michoacán
• SEGOB y COFETEL acusan penalmente a integrantes de la emisora

México D.F., a 24 de junio de 2009.- Las organizaciones firmantes expresamos nuestro rechazo en contra de la persecución penal ejercida por parte de autoridades federales en contra de Rosa Cruz, de ocupación artesana, apenas hablante del español y que es integrante de la radio comunitaria purépecha Uekakua.
La radio Uekakua es una emisora de 5 watts de potencia ubicada en la comunidad de Ocumicho, Michoacán. Es la única radio en esa comunidad que transmite en lengua purépecha. Desde 2002 la radio ha solicitado permiso para transmitir, sin que hasta el momento hayan obtenido una respuesta satisfactoria por parte de la autoridad. Esto violenta el artículo segundo constitucional que reconoce el derecho de los pueblos y comunidades indígenas a operar sus propios medios de comunicación, reforzado por la sentencia de la Suprema Corte de Justicia de la Nación quien estableció que en la Ley Federal de Radio y Televisión existe una omisión legislativa.

El 29 de enero de este año, aproximadamente 100 elementos de la Agencia Federal de Investigaciones acudieron a las instalaciones de la radio y con uso desmedido de la fuerza procedieron al cierre en una comunidad de apenas 3 mil habitantes. Los elementos policíacos amedrentaron a los niños que se encontraban en ese momento en la estación, amenazaron a las mujeres con golpearlas, le taparon la boca a una menor y le lastimaron la mano, y una señora fue arrastrada violentamente de la radio.

El pasado 13 de junio, la señora Rosa Cruz recibió un citatorio solicitándole su comparecencia en la Agencia Segunda Investigadora del Ministerio Público de la Federación ubicada en Uruapan, Michoacán en calidad de indiciada por la comisión del delito previsto en el artículo 150 de la Ley General de Bienes Nacionales, el cual alcanza hasta 12 años de prisión.

Este caso se suma al de otras radios, como la Radio Tierra y Libertad, en contra de las cuales la Comisión Federal de Telecomunicaciones (Cofetel) y la Secretaría de Gobernación (Segob) han iniciado procedimientos penales seguidos de la utilización desmedida de la fuerza pública en el cierre de las emisoras. La persistencia por parte de las autoridades en la utilización de la legislación penal, en lugar de la administrativa – suficiente para recuperar la frecuencia-, constituye la continuidad de una política persecutoria y de criminalización en contra de las radios comunitarias, en este caso lo hace además en contra de una mujer indígena que tiene que enfrentar todo el peso de la ley en una situación muy grave de vulnerabilidad por su situación de pobreza y escasos recursos de defensa por su dificultad para hablar en español.

La persecución penal en contra de personas que ejercen su derecho a la libertad de expresión en comunidades en situación de vulnerabilidad, constituye una vía excesiva, desproporcional e innecesaria, sobre todo cuando estas radios han demostrado su voluntad de legalidad y es la misma autoridad la que ha fallado en dar respuesta a sus solicitudes de permiso.

Cabe recordar que los organismos internacionales dedicados a la defensa de los derechos humanos han dicho que la vía penal sólo debe emplearse para proteger los bienes jurídicos fundamentales de los ataques más graves que los dañen o pongan en peligro. El derecho penal es la última razón y por tanto su aplicación debe ser subsidiaria, es decir deben privilegiarse otras vías, de no ser así su empleo resulta abusivo y criminalizante.

Las radios comunitarias, por su naturaleza, aunque emplearan el espectro radioeléctrico sin permiso, en ninguna forma ponen en peligro ni generan un daño grave al bien, pues las radios tienen fines estrictamente sociales. Por tanto, el empleo de la vía penal no resulta necesaria ni proporcional, pues hay medios menos lesivos para que el Estado salvaguarde el espectro radioeléctrico.

Por tanto, las organizaciones firmantes expresan su rechazo en contra de esta política de criminalización en contra de integrantes de radios comunitarias y hacen un llamado urgente a las autoridades a fin de que cesen esta persecución y lleven a cabo las acciones necesarias a fin de resolver las solicitudes pendientes de permiso de manera inmediata.

Organizaciones Firmantes:
- Asociación Mundial de Radios Comunitarias (AMARC-México)
- Asociación Mexicana de Derecho a la Información (AMEDI)
- Centro de Derechos Humanos “Fray Francisco de Vitoria O.P”
- Centro de Derechos Humanos Miguel Agustín Pro Juárez
- Comisión Mexicana de Defensa y Promoción de los Derechos Humanos (CMDPDH)
- Fundar, Centro de Análisis e Investigación
- Instituto Mexicano de Derechos Humanos y Democracia, A.C.
- Red por los Derechos de la Infancia en México
- Academia Mexicana de Derechos Humanos, A.C
- Elige Red De Jovenes Por Los Derechos Sexuales Y Reproductivos A.C
- Red Nacional de Organismos Civiles "Todos los derechos para todos y todas"

El video con uno de los testimonios puede consultarse en la siguiente página: http://www.youtube.com/watch?v=LHhTJgF1bzk

Bolivian Rapper Killed by Bus

El Alto-based hip-hop artist Abraham Bojorquez died early in the morning on Wednesday, May 20 in El Alto, Bolivia. He was killed when a bus hit him as he walking home.

Abraham, 26 years old, was a member of the popular hip-hop group Ukamau y Ké, and in recent years had become increasingly well known within Bolivia and internationally. His music blended ancient Andean folk styles and new hip-hop beats with lyrics about revolution and social change. Abraham Bojorquez in Wayna Tambo

Through his music he demanded justice for those killed in the 2003 Gas War, spread political consciousness, spoke of the reality of life in El Alto, and criticized the lying corporate media. He was a radio host at the cultural center Wayna Tambo in El Alto, and regularly traveled around Bolivia to prisons, rural and mining communities to offer classes on hip-hop to young rappers.Medios Mentirosos

....Abraham had a very clear analysis of the misinformation put out by corporate and right wing media, and often rapped and spoke about the "lying media." As an artist and radio host, he also spoke regularly about the need to provide alternative, honest information about what was really happening around the world – the real stories about police repression, the root causes of poverty, corporate looting, as well as popular struggles and social change in Latin America. He seriously believed in the struggle to provide and distribute these real stories, so that they would become a part of the official history, and people didn’t go through life without knowing the truth about politics, society and history.
Text by Benjamin Dangl
For the complete story on Abraham: http://upsidedownworld.org/main/content/view/1874/1/

Sunday, June 21, 2009

Clemencia Rodriguez and CINEP's First Video Project

..."The next day, sure enough, at sun up they were there with five mules to pick us up-- us and our very shiny, new video camera and so we got on the mules, Claudia on one mule and myself on another and we put the equipment on another one and up we went on an Andean trail until we found this community of small farmers (Samana Caldas) which was about two hours away. The plan for that day and the following days... to train them with video, for they had never operated not even a photography camera let alone a video camera."

Friday, June 12, 2009

Saving the Land with Video



"The Deccan Development Society is projecting a working model for the people oriented participative development in the areas of food security, ecological agriculture, and alternate education. It is also trying to reverse the historical process of degradation of the environment and people's livelihood system in this region through a string of land related activities such as Perma-culture, Community Grain Bank, Community Gene Fund, Community Green Fund and Collective Cultivation through land Lease etc. These activities, along side taking on the role of Earth care is also resulting in human care, by giving the Women a new found dignity and profile in their village communities. The Society is trying to relocate the people's knowledge in the area of Health and Agriculture."

The Deccan women's video workshops have active for over ten years. Deep Dish commissioned the women to update the documentary that they had made about their work in 1998. These are some excerpts from that initial documentary and statements by recent participants. Now, more than ever, the work they are doing is important. Their tapes of saving local seeds and their documents of biodiversity are crucially important in an era when "Free Trade" regulations are imposing corporate farming practices in rural India.

"The Deccan Development Society (DDS), is a two-decade old grassroots organization working in about 75 villages with women’s Sanghams (voluntary village level associations of the poor) in Medak District of Andhra Pradesh. The 5000 women members of the Society represent the poorest of the poor in their village communities. Most of them are dalits, the lowest group in the Indian social hierarchy. In 2001, the video and radio women formed themselves into a rural women’s media collective known as the DDS Community Media Trust which includes their own radio station. The DDS FM Radio is five year old and has canned nearly five hundred hours of programmes.

They predominantly work with issues like agricultural needs of semi-arid regions, education and literacy, public health and hygiene, environmental and ecological issues, biodiversity and food security, gender justice, local/indigenous knowledge systems and emphasis on traditional folk culture. The Community Media Trust (CMT) has an active community video and radio unit. They have been producing audios and videos for the past six years now. The radio station is very keen on a participative approach to media. Independent registration of the CMT validates that the station is moving towards self sustainability, community management and ownership. The content produced by the media trust reflects community needs by creating awareness and by promoting community participation."

For a photo essay about the Deccan work, go to the article by Alfonso Gumucio Dagron at: http://www.communicationforsocialchange.org/photogallery.php?id=390

Monday, June 8, 2009

Pirates Take on Corporate Media in Venice

Pirate Bay heads to Venice art Biennale
File-sharing site sets up 'Embassy of Piracy'
Call them Pirates of the Lagoon. A recent jail sentence and multimillion-dollar fine don't seem to have taken much wind out of the sails of notorious Swedish file-sharing site the Pirate Bay. Pirate Bay organizers disembarked amid fanfare at the prestigious June 3-8 Venice art Biennale and adjacent lagoon and set up an "Embassy of Piracy" within the exhibit's unofficial Internet Pavilion, offering "piracy labs" to the public. It was a clear challenge to Italian authorities with which they have clashed in the past.

The artistic part of their lagoon stunt consisted of an appeal to download and print foldable paper pyramid models, called embassies, from their website. http://www.thepirategoogle.com/

Provocation comes as a grassroots Pirate Bay political party is gaining consensus in Sweden in the run-up to European elections. Meanwhile, U.K. Media Minister Andy Burnham pledged June 2 to step up cooperation with the U.S. against illegal downloads of music, films and TV shows.

But, signaling a somewhat soft stance, the Blighty pol cautioned he doesn't want to "criminalize young people who have just gotten used to enjoying music in new ways." (From Variety, June 5, 2009)

Thursday, May 28, 2009

Animated Wall Painting

MUTO a wall-painted animation by BLU from blu on Vimeo.

Monday, May 25, 2009

Media As a Weapon: 2 Cents from New Orleans

by Jordan Flaherty
The video grabs your attention immediately. Young people in the Lower Ninth Ward hold up signs that read: “looter,” “we’re still here,” and “America did this.” Amid empty lots and damaged houses, poet Nik Richard delivers this message: “Hurricane Katrina was the biggest national disaster to hit American soil, and nearly two years later, this area is still devastated. But you know what? We made sure we preserved it strictly for your tourism. For about $75, you can take one of these many tour buses.”

Tourists drive by and people with cameras gawk. Richard looks directly at the camera and says, “It looks like there’s more money to be paid in devastation than regeneration. If y’all keep paying your money to see it, should we rebuild it?”

The short film New Orleans For Sale, which has garnered several awards, was made by 2-Cent Entertainment, a group of young Black media makers in New Orleans. The group, which currently has 10 members, made New Orleans for Sale to convey the frustration felt by many New Orleanians as the city has become a national spectacle and a backdrop for countless national politicians, while the aid the city needs to rebuild still hasn’t arrived. In 2008, the film won several awards including an NAACP image award in a competition, called Film Your Issue, which featured a high-powered jury with the likes of news anchor Tom Brokaw and media executives from MTV Networks, Lionsgate Entertainment and USA Today.

But for 2-Cent, the praise of the corporate media is beside the point. The collective's target audience is their community. Working at the intersection of art and justice, as well as entertainment and enlightenment, 2-Cent has attracted a wide and growing audience. In New Orleans, they’ve also collaborated with the People’s Hurricane Relief Fund, produced shows on local television and radio stations, and created mix CDs and scores of short videos. Beyond creating inspiring programming, 2-Cent members also seek to pass their skills onto the next generation, and have taught and presented their work and in New Orleans high schools and colleges.

“Huey Newton said the young people always inherit the revolution,” says Brandan “B-Mike” Odums, 2-Cent’s founder. “And that’s what 2-Cent is, it’s how our generation responded to that call.”

Positive Images

The collective formed in 2004, when Odums gathered a group of friends (most of them fellow students at the University of New Orleans) to produce a TV show with a message.

“A lot of TV promotes a monolithic way of thinking, saying there’s only one way to be, or promoting ignorance as cool,” says Odums. “We say it’s hot to stand up for yourself and speak for yourself.”

The group was still newly formed when Hurricane Katrina devastated New Orleans, and in the aftermath of the storm, with 2-Cent members spread across the United States, they nearly disbanded. “Katrina made us realize that this is what we want,” says Odums. “We’d done two episodes before the storm. Everybody was scattered. Katrina forced us to make the decision.”

The collective briefly relocated together to Atlanta, then made the decision together to return to New Orleans.

Kevin Griffin, another of the founding members of 2-Cent, joined because he shares Odum’s desire to change the images and messages delivered to today’s youth. “We were seeing the images that BET and others were putting out,” Griffin says. “And we wanted to do something different, more positive.”

Griffin is not just a media activist; he is also one of the leaders of a citywide movement spearheaded by the Juvenile Justice Project of Louisiana, an organization whose mission is to close the Youth Studies Center, the city’s youth prison. The group has led campaigns to shut down other youth prisons around the state including the notorious youth prison in Tallulah, Louisiana, and they are also working to create more options for young people beyond jail.

For Griffin, these struggles have personal meaning. “At the age of 10, I was sent to the Youth Studies Center,” Griffin explains. “A year later I was moved to Tallulah, which was known as the worst youth prison in the country. I was 11. The next youngest person was 17, so I was a child among adults. And I was there for five years.”

When he was released, Griffin was determined to turn his experience into something positive. “I could have stayed on that path that was laid out for me,” says Griffin. “But I didn’t want to become that.” He credits his family for helping support him when he got out.

Griffin now works full-time at WBOK, a Black-owned talk radio station (their slogan is “Talk back, talk Black”). Art also runs in his family. His cousin Mannie Fresh, the music impresario of New Orleans’ Cash Money record label, produced much of the music that made New Orleans hip hop famous.

Humor and Style

2-Cent videos are notable for both humor and style. “We liked a lot of the messages you would see on Public Access TV,” explains Griffin. “But we wanted to make something with better production.” This combination of form and content, and a mix of serious and comic, defines the 2-Cent style.

“We take education and comedy and we mix it all together,” says collective member Manda B, who writes and acts in many of the group’s videos. “We can trick people into learning. We built it off a foundation of edutainment. Even with our most crazy and bizarre scripts, we have a meaning.”

The group seems to have limitless energy and ideas, and they bring new angles to their subjects, finding humor in unexpected places, and bringing ideas to young people by using that humor. Their piece on Jena, Louisiana, is filmed at the September 20, 2007 protests in Jena, when tens of thousands of young people converged in what was called the birth of the 21st century civil rights movement. But the 2-Cent video intercuts with one of their members—an effortlessly humorous young performer named Stiggidy Steve—wandering confused on Jena Street in New Orleans and wondering where everyone is.

“Older folks may try to put out similar ideas,” says Manda B. “But it’s like they’re preaching. I think we know how to connect with our generation.”

These young media activists praise Gil Scott Heron, who said the revolution will not be televised, but for 2-Cent, media is a tool to be taken and used for the mission of social change.

“Other generations marched, and we march too,” says Odums. “But in this age we have a whole new range of weapons, and we’re trying to use those weapons. I think Martin Luther King, Jr. would want to be on YouTube, to have his speeches distributed that way. Malcolm X would love to make mixtapes, have those out on the streets. The same reasons they boycotted and had protests in that era are our reasons too. We’re coming from that same mindset, but we’re using new tools, trying to get our inheritance.”

After nearly five years together, the group has survived Katrina and all the connected stresses of living in New Orleans during this time, and their bonds become stronger and closer. When asked what aspect of their work they were most proud of, various 2-Cent members expressed the same sentiment as Manda B, who explained, “For me, the best element of all this is that we’re family.”

Despite being a large and unfunded collective, 2-Cent seems to have no problem working together, creating new content every week, and continually expanding the range of work they do and the audiences they reach. “We’re all together like family,” says Griffin. “And we can’t imagine not staying together.”
More about 2-Cent: http://2-cent.com
New Orleans For Sale: http://www.youtube.com/watch?v=DgbyoBLnln0
Freedomland Video: http://www.youtube.com/watch?v=gDEqm9VNm_Y
People's Hurricane Relief Fund Video: http://www.youtube.com/watch?v=QKucYW_crR8
New Orleans March for Gaza: http://www.youtube.com/watch?v=uk9QijNA8GQ

Tuesday, May 19, 2009

Video Journalists of Burma


Anders Østergaard, Khin Maung Win, Interview by Liza Bear
BURMA VJ: Reporting from a Closed Country , directed by Danish filmmaker Anders Østergaard uses camcorder and cellphone footage from undercover DVB reporters risking their lives. The story of the brutal quelling of the September 2007 monks' uprising is narrated by an unseen protagonist, Joshua, a 27-year-old reporter exiled in Thailand.
Background--Burma, September 2007: An increase in fuel prices sparks extensive protests by students and activists against the military junta, a repressive regime that has held the country hostage for over 40 years. For the first time, they are joined in the streets of Rangoon by thousands of Buddhist monks (the saffron revolution). As the ranks of the protestors rise to 100,000, foreign news crews are banned and the internet is shut down. The Democratic Voice of Burma, a collective of 30 underground video journalists (VJs) record these dramatic events on handycams and cellphones and smuggle the footage out of the country, broadcasting it worldwide from Norway via satellite. Risking torture and life imprisonment, the VJs document the brutal clashes by the military and undercover police and the violence committed on the monks— themselves also becoming the targets of the authorities.
A Sundance and Berlin festival award winner, the film opens May 20 at the Film Forum, New York in this its theatrical premiere.

Monday, May 18, 2009

A Book Grab by Google

cartoon by Dave Walker from Weblogcartoons.comBy Brewster Kahle
Tuesday, May 19, 2009
A court in the Southern District of New York will soon make a decision that could determine our digital future.

A ruling is expected shortly on a proposed settlement of lawsuits filed against Google in 2005 by groups representing authors and publishers claiming that Google's book-scanning project violated copyright. When Google announced its project in 2004, the company said its goal was simple yet far-reaching. Like its search engine, which points people to Web sites, Google's book search product would help people find information in books and direct them to volumes in libraries and bookstores.

The project seemed in keeping with the guiding principles of the Internet, which assumes a quid pro quo between search engines and Web sites. That is, sites allow themselves to be copied and indexed as long as search engines such as Google lead people back to the original sites.

But as we learned when the settlement was proposed last October, Google's search tool has become a digital bookstore. The settlement outlines business models for creating and selling electronic editions of books, and selling subscriptions to Google's new exclusive library.

Whereas the original lawsuit could have helped define fair use in the digital age, the settlement provides a new and unsettling form of media consolidation.

If approved, the settlement would produce not one but two court-sanctioned monopolies. Google will have permission to bring under its sole control information that has been accessible through public institutions for centuries. In essence, Google will be privatizing our libraries.

It may seem puzzling that a civil lawsuit could yield monopolies. Traditionally, class-action lawsuits cluster a group of people who have suffered the same kind of harm as a result of alleged wrongful conduct. And under this settlement, authors who come forward to claim ownership in books scanned by Google would receive $60 per title.

But the settlement would also create a class that includes millions of people who will never come forward. For the majority of books -- considered "orphan" works -- no one will claim ownership. The author may have died; the publisher might have gone out of business or doesn't respond to inquiries; the original contract has disappeared.

Google would get an explicit, perpetual license to scan and sell access to these in-copyright but out-of-print orphans, which make up an estimated 50 to 70 percent of books published after 1923. No other provider of digital books would enjoy the same legal protection. The settlement also creates a Book Rights Registry that, in conjunction with Google, would set prices for all commercial terms associated with digital books.

Broad access is the greatest promise of our digital age. Giving control over such access to one company, no matter how clever or popular, is a danger to principles we hold dear: free speech, open access to knowledge and universal education. Throughout history, those principles have been realized in libraries, publishers and legal systems.

There are alternatives. Separate from the Google effort, hundreds of libraries, publishers and technology firms are already digitizing books, with the goal of creating an open, freely accessible system for people to discover, borrow, purchase and read millions of titles.

It's not that expensive. For the cost of 60 miles of highway, we can have a 10 million-book digital library available to a generation that is growing up reading on-screen. Our job is to put the best works of humankind within reach of that generation. Through a simple Web search, a student researching the life of John F. Kennedy should be able to find books from many libraries, and many booksellers -- and not be limited to one private library whose titles are available for a fee, controlled by a corporation that can dictate what we are allowed to read.

We've wrestled with high-tech monopolies in the past -- IBM, AT&T, Microsoft. The lesson was that such strongholds restrict innovation and competition. In those cases, the courts stepped in to address the inequities. Now, we have a proposal for monopolies to be created by the courts.

This settlement should not be approved. The promise of a rich and democratic digital future will be hindered by monopolies. Laws and the free market can support many innovative, open approaches to lending and selling books. We need to focus on legislation to address works that are caught in copyright limbo. And we need to stop monopolies from forming so that we can create vibrant publishing environments.

We are very close to having universal access to all knowledge. Let's not stumble now.

The writer is founder and director of the Internet Archive, a nonprofit library in San Francisco, and the Open Content Alliance.

Manual for Transmission Applications for Indigenous Radio in Mexico Raises Doubts


*Comunicado de Prensa
*Gobierno Federal pretende deslindarse de los compromisos asumidos para el otorgamiento de permisos de radio indígena*
*Cuando parecía que el Gobierno Federal había optado por el diálogo*, la conciliación y el reconocimiento de los medios de comunicación indígena, lanza un mensaje contrario cancelando repentinamente su asistencia al evento en que haría público dicho compromiso.

A pesar de haber participado en el proceso de diálogo que dio lugar al Manual para el Trámite de Permisos de Radiodifusión Indígena, y haber asumido dentro de este proceso su compromiso para el otorgamiento de permisos a las radios comunitarias indígenas, las instancias involucradas en el trámite de éstos permisos ( Dirección de Radio Televisión y Cinematografía de SEGOB, Dirección de Sistemas de Radio y Televisión de COFETEL y la Comisión Nacional para el Desarrollo de los Pueblos Indígenas CDI) cancelaron dos días antes su participación en el evento de presentación, no obstante haberla confirmado con anterioridad y, en el caso de la CDI, se prohibió a su personal asistir a éste.

El Próximo martes 19 de mayo desde las 9:30 hrs hasta las 15:00hrs, tendrá lugar la presentación del Manual para el Trámite de Permisos de Radiodifusión Indígena, en el Club de Periodistas de la Ciudad de México, Filomeno Mata 8, Centro Histórico, D.F.

El Manual representa un paso trascendental en el ejercicio de los derechos de los pueblos indígenas a adquirir, administrar y operar medios de comunicación, ya que sin dejar de resaltar la necesidad de contar con una nueva ley de medios que desarrolle los derechos constitucionales de los pueblos indígenas en esta materia; transparenta el procedimiento para el otor-gamiento de permisos de radiodifusión indígena, con base en el marco legal de la radiodifusión y el marco legal de los derechos de los pueblos indígenas.

El manual fue resultado de un proceso de diálogo que duró aproximadamente 9 meses realizado desde julio de 2008, que integró en un grupo de trabajo, radios indígenas permisionadas, radios y comunicadores indígenas, la Comisión de Seguimiento del Congreso Nacional de Comunicación Indígena, Organizaciones Civiles y las autoridades relacionadas con el trámite de permisos de radiodifusión, la Dirección General de Sistemas de Radio y Televisión de la Cofetel, la Subsecretaría de Medios de la Secretaría de Gobernación y la Comisión Nacional para el Desarrollo de los Pueblos Indígenas por conducto de la Dirección de Comunicación Intercultural y el Consejo Consultivo.

Durante los trabajos las autoridades manifestaron su apertura y disposición a la realización del manual que permitiera conducir posteriormente el trámite de los permisos de radiodifusión de las comunidades indígenas, participando en las reuniones, proporcionando información e incluso observaciones y comentarios al manual y en diversas ocasiones dentro de las
reuniones manifestaron su compromiso para continuar avanzando en el trámite de permisos de radiodifusión indígena.

Sin embargo, a pesar de haber confirmado su participación en el evento de presentación del manual, sorpresivamente el viernes 15 de mayo, un fin de semana antes de la realización del evento, se recibieron una serie de llamadas a la organización convocante, Redes por la Diversidad, Equidad y Sustentabilidad A.C., cancelando la participación de las 3 autoridades federales involucradas en el otorgamiento de permisos a las radios indígenas: COFETEL, SEGOB y CDI. Resalta principalmente la de la Subsecretaría de Medios de SEGOB quien por escrito había confirmado la participación del Director de Radio, Televisión y Cinematografía Álvaro Lozano en representación de la Subsecretaria; y de la CDI, que a pesar de haber apoyado financieramente para el traslado de los músicos y la comida del evento, ha prohibido a los funcionarios de esta institución asistan al evento y evitó contactar a los integrantes de la Mesa de Comunicaciones del Consejo Consultivo para hacerles llegar la invitación que les fue extendida, así como facilitarles los medios para su asistencia.

Sorprende, la sincronía con que se dio la cancelación de la participación de dichas autoridades, en el momento en que tenían la oportunidad de ratificar públicamente el compromiso asumido dentro del grupo de trabajo, a continuar las acciones hacia el otorgamiento de permisos de radiodifusión indígena.

Acciones como éstas ponen en duda la credibilidad de las autoridades y se inclinan a seguir acotando las posibilidades para las comunidades indígenas de ejercer sus derechos por la vía de la legalidad, acrecentando el descontento social e ignorando completamente el papel fundamental que están jugando las radios indígenas en el desarrollo de las comunidades y la preservación de las lenguas y diversidad cultural de México.

Esperamos que las autoridades involucradas actúen con responsabilidad y respeto a la ley y a los compromisos asumidos, pues son condiciones esenciales en las acciones de diálogo y conciliación con los Pueblos Indígenas de México, cuyos derechos colectivos siguen pendientes de ser reconocidos y ejercidos.

En este sentido apelamos a que el evento se realice con la presencia de los actores previstos y reiteramos la invitación a la presentación de este documento, paso fundamental en la democratización de los medios.

México D.F. a 17 de Mayo de 2009
Programa para el Ejercicio de los Derechos de los Pueblos Indígenas a
Adquirir, Administrar y Operar Medios de Comunicación
Redes por la Diversidad, Equidad y Sustentabilidad A.C.
Tel. 36409467
redesac@yahoo.com.mx

Wednesday, May 13, 2009

Prison Radio Shines

from Forbes.com by Parmy Olson
LONDON--Johnny Cash made a mint when he recorded part of his 1968 album At Folsom Prison amidst the whoops and shouts of a roomful of inmates. Today's entertainment for prisoners is a more sobering affair: interviews with politicians, hard-hitting programs about suicide and self-harming. But it too is finding success.

A tiny prison radio station in South London is up for four prestigious Sony awards on Monday night, putting it alongside the some of the top talent of the BBC and other commercial radio stations in the United Kingdom.

Electric Radio in Brixton Prison is run by the Prison Radio Association, http://www.prisonradioassociation.org, a British charity, and broadcasts to just 800 inmates--but it has a rich array of programming. Weekly discussion programs about taboo subjects such as self-harming, mental and sexual health and the prison environment are mixed in with a daily dose of editorials and of course, music. The studio is located under the prison chapel and manned by inmates.

Its nominations include an award for talk radio and the all-important Interview Award. For this, one of Brixton Prison's inmates interviewed former U.K. government minister Jonathan Aitken, who was sentenced to 18 months in Belmarsh prison in 1999 for perjury and perverting the course of justice.

The interviewer was half-way through a four-year sentence when he conducted the interview, and the two men were "socially, culturally and educationally poles apart," the Prison Radio Association says. But while Aitken comes across as well-spoken and slightly pompous, Tis' is not afraid to ask probing questions, creating an intriguing interview in which Aitken opens up about his divorce, bankruptcy and experiences in jail.Brixton is one of 20 prisons in the U.K. that operate its own radio station or offers training in the area. The first was established in the Feltham Young Offenders Institution in 1994 by the Prison Radio Association when its young inmates called for its establishment. The organization got legal charitable status in June 2006.

There is as yet no clear evidence that prison radio contributes to rehabilitation, but Electric Radio Brixon, launched in November 2007, claims it is a useful source of information for prisoners with literacy problems and does help with rehabilitation.

An clip from the station is here.

The Prison Radio Association says it is working on the development of a National Prison Radio Service, with the potential to eventually reach every prisoner in England and Wales.AND FROM THE GUARDIAN UK:
It was a gig a lot of people would have paid a lot of money to see. Mick Jones, formerly of the seminal punk band the Clash, playing an acoustic and oh-so-gentle version of the band's classic stomper Should I Stay or Should I Go - and Billy Bragg, unchallenged master of conscience folk rock giving a deliciously cutting rendition of Rotting on Remand - "I said there's no justice/ as they led me out the door/ and the judge said 'this ain't a court of justice son/ this is a court of law'."

Introduced by Radio 1 DJ Bobby Friction, the two national treasures were performing live at the launch of Electric Radio Brixton - the first prison radio station in the UK to broadcast via satellite, and the first to broadcast 24 hours a day, seven days a week.

It is an ambitious project. But Phil Maguire, chief executive of the Prison Radio Association, a charity founded 18 months ago by Roma Hooper and Mark Robinson (who were instrumental in the setting up of the radio station in Feltham Young Offenders Institute 13 years earlier), has even more ambition yet to fulfil. "We want to see the establishment of a national prison radio network," he says, "serving every prison cell in England and Wales and broadcasting material produced not just in Brixton, but produced by prisoners serving sentences in prisons all around the country."

Maguire is a determined champion. His charity organisation is currently working with over 40 prisons. So far at least 15 have radio studios or radio training facilities. "I've loved radio for as long as I can remember," he says. "Ever since I was a little boy curling up at night under my bed clothes with my transistor. I love the way you can watch it with your eyes closed. It makes me laugh, sometimes makes me cry and almost constantly makes me think."

But why prison radio? He gives me a look of incredulity.

"It's an all singing, all dancing bulletin board," he says. "Radio is a phenomenal communications tool. In here, its ability to inform and educate takes on a whole new level. It supports the regime, creating opportunities for positive and fruitful dialogue between prisoners and staff. It enhances education provision and prisoner engagement activities. It can reach everybody, the young the old, men and women, the lonely and the disenfranchised."

Whilst watching the musicians through the studio glass, listening to their banter over the loudspeakers, we mingle by tables that have been set with canapés and soft drinks. There is a good turn out of invited guests, all thrilled and upbeat about the event; it is after all, historical.

Brixton is a difficult prison and it's to Governor Paul McDowell's credit that he has been able to find the energy and the commitment to support Electric Radio Brixton. Staff shortages mean that too many people are left locked in their cells for overly long periods. A number of prisoners are mixing with the guests, chatting freely. "There are some good things here," says 'T' who has spent four years in Brixton so far, "but there's too much bang-up - by the time they let us out everybody wants to fight."

Some prisoners are involved as producers of the radio station and I'm delighted when I spot an old friend, multi-talented Peter Wayne, a prodigious writer who, during his many stints inside, used to pen a wonderfully decadent column for Prospect magazine on prison life and who inspired my own efforts in the Guardian. He tells me he is back in on a shoplifting charge, "I'll be back out around Feb," he says. I tell him that he looks as well as I've ever seen him.

Now in early middle age, Wayne should be enjoying a comfortable life after a successful creative and contributing career. Instead, his close relationship with the demon heroin has kept his true colours from us, and left him spending the better part of his life haunting prison landings.

"I feel safe in here," he says cheerfully. I'm sad, but thrilled to see he is heavily involved with the new radio station. Alongside Bobby Friction he is next in the studio, interviewing Billy Bragg. Their chat is good humoured and I'm amazed at Wayne's professionalism. Bragg is a genial interviewee and talks zealously about the need for an emphasis on rehabilitation in prisons. "That's the only way to create fewer future victims," he says. He talks about the charitable foundation he has set up called Jail Guitar Doors, named after the B-side of the 1978 Clash single Clash City Rockers.

Bragg wants to use the transformative power of music to help change lives in prison; to that end he visits prisons around the country, donating musical instruments. "Music is a great way of communicating," he says. "It's a way of finding out where you are, who you are, and can help you to put something back."

Mick Jones is a close friend of Bragg's and gave him the first donation towards the purchase of instruments for prisoners by Jail Guitar Doors. "I was born in Brixton," says Jones, "I grew up looking at this place and now I'm pleased to be helping." Both men exude a passionate ability to empathise with the underdog which will have endeared them greatly to the men behind their doors in Brixton prison.

Before leaving Jones conducts a final singalong of Should I Stay. He's laughing and obviously having a great time. Outside the studio the guests are tapping feet and bobbing heads. A female prison officer is swaying. Electric Radio Brixton is touching souls and rocking its message through time and space.

· This article was amended on Monday December 3 2007. The PRA was not in fact set up 13 years ago. It was Radio Feltham (Radio Feltz), the UK's first prison radio station that was set up 13 years ago. The PRA was founded 18 months ago. This has been corrected.

Monday, May 11, 2009

WE SEIZE-- Geography Lesson